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Fanzine/libro + CD. Larga vida a RIP. Un relato crudo y feroz que narra las vivencias del cuarteto de Mondra, contextualizado en la Euskal Herria de los 80-90. -
<p>Interesante trabajo de la Federación AnarcoPunk de España, <em>Hazlo Tu Mism@ – Recupera Tu Vida</em> deja en alto la práctica del D.I.Y que tanto ha caracterizado el accionar anarcopunk desde sus inicios. Para quienes les interese el D.I.Y. (Do It Yourself / Hazlo tu mismx), he aquí un libro hecho por la F.A.P. (Federación Anarco Punk) de España, con instrucciones para hacer todo tipo de cosas sin necesidad de depender de nadie, solamente de nuestra capacidad y nuestra paciencia para esforzarnos y demostrarnos a nosotros mismos que somos capaces de hacer si tenemos paciencia y fuerza de voluntad, para lograr independizarnos lo máximo posible del mundo consumista.</p> <p>Contiene información sobre temas como: Auto-defensa, alimentación, transporte, indumentaria, sexualidad, higiene, salud, propaganda, imprenta, etc. Este libro está a favor del no consumo, de la autosuficiencia y la autogestión, y ayuda a dar un paso mas hacia la libertad, independizándonos del consumismo.</p> -
<p>Culture is a necessary element of any social movement, and should be taken with utmost seriousness by anarchist activists -and this includes music. This book lays out an evaluative approach through which the relationships between anarchism and music, and culture more widely, can be explored. This is not a list of musics that somehow qualify as 'anarchist', but rather considers how it might be possible to think about the question: «What is Anarchist Music?» It is argued that production processes are more fruitful avenue of evaluation than aesthetics and lyrics, but DIY cultural production values can be subsumed under neo-liberal logics. As a bulwark against co-optation and recuperation, an oppositional counter-cultural consciouness is a necessary aspect for any radical culture, which finds expression within the anarchist movement through 'cultures of resistance'.</p> -
<p>Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK. Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling.</p> <p>For the first time ever, their whole story is told, straight from the recollections of every band member past and present, as well as a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, it’s the definitive account of the much-loved band.</p> -
Black Flag’s hardcore story from the inside, drawing on exclusive interviews with the group’s members, their contemporaries, and the bands they inspired. “A gory-gobsmacking read!” -
Jóvenes libres contra su propia historia, contra el destino gris burócrata que algunos habían diseñado. Libres hasta el punto de llegar al extremo de una autodestrucción desesperada, vía speed o vía heroína. -
<p>Straight edge—hardcore punk’s drug-free offshoot—has thrived as a subculture since the early 1980s. Its influence has reached far beyond musical genres and subcultural divides. Today it is more diverse and richly complex than ever, and in the past decade alcohol and drug use have become a much-discussed issue in radical politics, not least due to the hard work, dedication, and commitment to social and environmental justice found among straight-edge activists.</p> <p><em>X: Straight Edge and Radical Sobriety</em> is Gabriel Kuhn’s highly anticipated follow-up to his critically acclaimed <em>Sober Living for the Revolution</em>. In this impressive volume, Kuhn continues his reconnaissance of straight-edge culture and how it overlaps with radical politics. Extensively illustrated and combining original interviews and essays with manifestos and reprints from zines and pamphlets, X is a vital portrait of the wide spectrum of people who define straight-edge culture today. In the sprawling scope of this book, the notion of straight edge as a bastion of white, middle-class, cis males is openly confronted and boldly challenged by dozens of contributors who span five continents.</p> <p><em>X</em> takes a piercing look at religion, identity, feminism, aesthetics, harm reduction, and much more. It is both a call to action and an elaborate redefinition of straight edge and radical sobriety. Promising to inspire discussion, reflection, and unearth hidden chapters of hardcore punk history, <em>X: Straight Edge and Radical Sobriety</em> is of crucial importance to anybody interested in the politics of punk and social transformation.</p> -
<p>Straight edge has persisted as a drug-free, hardcore punk subculture for 25 years. Its political legacy, however, remains ambiguous—often associated with self-righteous macho posturing and conservative puritanism. While certain elements of straight edge culture feed into such perceptions, the movement’s political history is far more complex.</p> <p>Since straight edge’s origins in Washington, DC, in the early 1980s, it has been linked to radical thought and action by countless individuals, bands, and entire scenes worldwide. <em>Sober Living for the Revolution</em> traces this history.</p> <p>It includes contributions—in the form of in-depth interviews, essays, and manifestos—by numerous artists and activists connected to straight edge, from Ian MacKaye (Minor Threat/Fugazi) and Mark Andersen (Dance of Days/Positive Force DC) to Dennis Lyxzén (Refused/The (International) Noise Conspiracy) and Andy Hurley (Racetraitor/Fall Out Boy), from bands such as ManLiftingBanner and Point of No Return to feminist and queer initiatives, from radical collectives like CrimethInc. and Alpine Anarchist Productions to the Emancypunx project and many others dedicated as much to sober living as to the fight for a better world.</p>
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© Creative Commons. • Desarrollo de Coma Comunicación Creativa para Edita
Proyecto financiado por
la Dirección General del Libro, del Cómic y la Lectura, Ministerio de Cultura