Language and Politics
An enormous chronological collection of over fifty interviews conducted with Noam Chomsky beginning with his 1968 discussion of the U.S. war on Vietnam and ending soon after the appearance of his best-selling book, 9-11, and the start of America´s "War on Terror". The interviews add a personal dimension to the full breadth of Chomsky´s impressive written canon-equally covering his analysis in linguistics, philosophy, and politics. The discussions of the ideas and conclusions of Plato, Galileo, Descartes, Marx, Rocker, Freud, Skinner and Keynes, among others, are belanced with insightful principled critiques of the small cadre of international madmen who attempt to wrestle freedom and power away from us. This updated, annotated, fully indexed new edition contains an extensive bibliography, as well as notes to each interview and an introduction on the relationship between Chomsky´s thought and action by editor C.P. Otero. Many of the pieces have never appeared in any other collection, some have never appeared in English, and more than one has been surpressed.
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Language and Politics
An enormous chronological collection of over fifty interviews conducted with Noam Chomsky beginning with his 1968 discussion of the U.S. war on Vietnam and ending soon after the appearance of his best-selling book, 9-11, and the start of America´s "War on Terror". The interviews add a personal dimension to the full breadth of Chomsky´s impressive written canon-equally covering his analysis in linguistics, philosophy, and politics. The discussions of the ideas and conclusions of Plato, Galileo, Descartes, Marx, Rocker, Freud, Skinner and Keynes, among others, are belanced with insightful principled critiques of the small cadre of international madmen who attempt to wrestle freedom and power away from us. This updated, annotated, fully indexed new edition contains an extensive bibliography, as well as notes to each interview and an introduction on the relationship between Chomsky´s thought and action by editor C.P. Otero. Many of the pieces have never appeared in any other collection, some have never appeared in English, and more than one has been surpressed.
