LGTBI+

  • Both timely and timeless in its examination of an American state in free-fall. The ultimate effect of these stories is one of invigoration and a sense of possibilities—hope for a new world extracted from the rubble of the old.
  • This unique volume envisions black metal as always already open, inclusive, and unlimited: a musical genre whose vital spirit of total antagonism rebels against the forces of political conservatism.
  • Queercore

    18,00
    <p><em>Queercore: How to Punk a Revolution: An Oral History</em> is the very first comprehensive overview of a movement that defied both the music underground and the LGBT mainstream community. Through exclusive interviews with protagonists like Bruce LaBruce, G.B. Jones, Jayne County, Kathleen Hanna of Bikini Kill and Le Tigre, film director and author John Waters, Lynn Breedlove of Tribe 8, Jon Ginoli of Pansy Division, and many more, alongside a treasure trove of never-before-seen photographs and reprinted zines from the time, <em>Queercore </em>traces the history of a scene originally &ldquo;fabricated&rdquo; in the bedrooms and coffee shops of Toronto and San Francisco by a few young, queer punks to its emergence as a relevant and real revolution.</p> <p><em>Queercore </em>is a down-to-details firsthand account of the movement explored by the people that lived it&mdash;from punk&rsquo;s early queer elements, to the moment that Toronto kids decided they needed to create a scene that didn&rsquo;t exist, to Pansy Division's infiltration of the mainstream, and the emergence of riot grrrl&mdash;as well as the clothes, zines, art, film, and music that made this movement an exciting middle finger to complacent gay and straight society.</p> <p><em>Queercore </em>will stand as both a testament to radically gay politics and culture and an important reference for those who wish to better understand this explosive movement.</p>
  • <p>Un viaje autobiogr&aacute;fico hacia el encuentro de referentes intersex para iniciar una revoluci&oacute;n. Los relatos de sus protagonistas nos muestran la construcci&oacute;n de una identidad colectiva en la b&uacute;squeda de un presente/futuro de libertad y con derechos.</p> <p>Castell&oacute;n, 2016. Nace Lola. La actriz protagonista. Sale a escena. Y va rompiendo, poco a poco, su silencio. Viaja, en busca de referentes. La primera hermafrodita a caballo est&aacute; ah&iacute;, aguardando en Barcelona. A orillas del Mediterr&aacute;neo aparece otra: la Melero. Una repentina llamada la lleva a Galicia, junto a la vallista del COI. Ansiosa, emigra. Instalada en Valencia se encuentra, inesperadamente, con una chiqueta del Cabanyal. Vive sus catarsis. En Logro&ntilde;o, baila junto a otra de las machorras.</p> <p>Pierde el rumbo. Descubre una br&uacute;jula intersexual situada en un punto de M&eacute;xico. Siguiente destino: Pa&iacute;s Vasco. En el pupitre de al lado se sienta la Kollontai del siglo xxi. Desde Madrid, irrumpe con fuerza la voz de una se&ntilde;ora bien y fet&eacute;n. Mientras tanto, un ave f&eacute;nix extrabinarie atraviesa el cielo gris de Bizkaia. Y, entonces, pone cara al holograma del documental <em>No box for me</em>.</p> <p>&iquest;Qu&eacute; falta? Descubrir a un notas del distrito sur de Sevilla. Volver a casa. Conversar con las dos que faltaban. Parar. En Salamanca, escribe y performa. Lola se empodera y Mer se desarmariza. Por fin, ha encontrado una familia intersex. Toca defenderse, cacarear bien alto. &iquest;Te unes a la rebeli&oacute;n de las hienas?</p>
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